Mano de obra is one of the most studied novels written by the Chilean author Diamela Eltit (b. 1949). Scholars have paid particular attention to the novel’s socioeconomic commentary at the level of the plot. They have not, however, conducted a close examination of how the novel expresses this criticism through its narrative form. Nor have they explored the relationship of the novel’s literary techniques to the politico-cultural context that it portrays. This article engages in a close reading of the literary techniques that Mano de obra employs to depict a certain social context. It also addresses some politico-cultural implications of the novel’s narrative form in the context of Chile’s contemporary society to demonstrate that the novel foregrounds a sense of pessimism and hopelessness about linking Chilean workers’ subversive past with their submissive present.